Teaches
University of Pennsylvania, Philadelphia
New York University, New York
Selected Solo Exhibitions
2007
Research Institute on Gender, University of Michigan, Ann Arbor, MI.
The Rosenbach Museum and Library, Philadelphia, PA.2006
Bowling Green State University, Bowling Green, OH.2004
Women's Studio Workshop, Rosendale, NY.2002
Albin O. Kuhn Gallery, University of Maryland, Baltimore County, Baltimore2001
Visual Studies Workshop, Rochester, NY. and traveling.2000
Rutgers University, New Brunswick, NJ.1997
Edward Bannister Gallery, Rhode Island College Art Center, Providence, RI.1995
Galerie Junge Kunst, Trier, Germany.1994
Toronto Photographers Workshop, Toronto, Canada.1993
The Afro-American Historical & Cultural Museum, Philadelphia, PA.1992
Art In General, New York, NY.
The Center for Photography in Woodstock, Woodstock, NY.1991
Light Work Menschel Gallery at Syracuse University, Syracuse, NY.
Washington Project for the Arts, Washington, D C.1990
White Columns, New York, New York.
Selected Group Exhibitions:
2008
SPEAKING VOLUMES: Transforming Hate Holter Museum of Art, Helena MT
2007
FOUND IN TRANSLATION, An exhibition of Artist Books and Multi-media organized by the Booklyn Artists Alliance and traveling to Minnesota Center for Book Arts, Minneapolis, MN.
2006
THE BOOK AS ART:Twenty Years of Artists; Books from the National Museum of Women in the Arts, National Museum of Women in the Arts, Washington, DC.
SECOND WOODMERE TRIENNIAL OF CONTEMPORARY PHOTOGRAPHY, Woodmere Art Museum, Philadelphia, PA.
FOUND IN TRANSLATION, An exhibition of Artist Books and Multi-media organized by the Booklyn Artists Alliance, and traveling to San Francisco Center for the Book, SF, CA, the New York Center for Book Arts, NY, NY.
2005
CONTEMPORARY WOMEN ARTISTS: NEW YORK, University Art Gallery, Indiana State University, Terre Haute, IN.
SCREENINGS: Public and Private, The Noyes Museum of Art, Oceanville, NJ.
GLORIOUS HARVEST: Photographs from the Michael E. Hoffman Tribute Collection, Philadelphia Museum of Art, Philadelphia, PA.
VISIONS OF PASSAGE: PHOTOGRAPHERS, WRITERS, AND THE AMERICAN SCENE, High Museum of Art’s Folk Art and Photography Galleries, Atlanta, GA.
50 YEARS AND COUNTING: Artists Respond to Brown v. Topeka, National Civil Rights Museum, Memphis, TN.
2003
TRIENNAL 9 FORM AND CONTENTS: Corporal Identity-Body Language, Museum für Angewandte Kunst, Frankfurt, Germany (with the Klingspor Museum, Offenbach) and the Museum of Arts and Design, New York (catalogue).
AMERICAN SCENE 2000: Photographers and Writers Portraetieren the USA, Martin Gropius Building, Berlin, Germany.
2002
PHOTOGRAPHERS, WRITERS, AND THE AMERICAN SCENE: Visions of Passage, Museum of Photographic Arts, San Diego, CA, book.
PHOTOGRAPHY PAST/FORWARD: APERTURE AT 50, Aperture Burden Gallery, New York, NY.
COLOR, CULTURE, COMPLEXITY, The Museum of Contemporary Art of Georgia, Atlanta, GA, catalogue.
2001
THE PAST IS STILL HERE, Snug Harbor Cultural Center, Newhouse Center for Contemporary Art, Staten Island, NY.
DYNAMICS OF FORM: Narrative in the Artists’ Book, Owens Art Gallery, Mount Allison University, New Brunswick, Canada, video documentation.
2000
PICTURING THE MODERN AMAZON, The New Museum, New York, NY.
REFLECTIONS IN BLACK: A History of Black Photographers, Smithsonian Center for African American History and Culture, Washington, DC and traveling; book.
1999
RECENT ACQUISITIONS, The Willliam Benton Museum of Art, University of Connecticut, Storrs, Ct., brochure.
1998
THE NEXT WORD: Text and/as Image and/as Design and/as Meaning, the Neuberger Museum, SUNY Purchase, Purchase, N. Y., catalogue.
DEVELOPING ILLUSIONS, 1873-1998: Photographs from the Collection of the Corcoran Gallery of Art, the Corcoran Gallery of Art, Washington, DC.
1997
TECHNO-SEDUCTION, The Cooper Union School of Art, New York, N. Y., catalogue.
ANXIOUS LIBRARIES: PHOTOGRAPHY & THE FATE OF READING, The Photographic Resource Center at Boston University, Boston, MA., CD and brochure.
CROSSING OVER/CHANGING PLACES, Corcoran Gallery of Art, Washington, D.C.
AMERICAN FAMILIES IN PHOTOGRAPHS, National Museum of American History, Smithsonian Institution, Washington, D. C.
1996
THINKING PRINT: BOOKS TO BILLBOARDS 1980-95, The Museum of Modern Art, New York, N. Y., catalogue.
1995
MESSAGES AND STORIES FROM THE EVERY DAY WORLD, Arts Festival of Atlanta, Atlanta, GA., catalogue.
reREADING, Dunlop Art Gallery, Regina Public Library, Regina, Saskatchewan, Canada.
1994
IMAGINING FAMILIES: IMAGES AND VOICES, National African American Museum Project, Smithsonian Institution, Washington, D.C., catalogue.
HISTORY 101: THE RE-SEARCH FOR FAMILY, Installation at The Forum for Contemporary Art, St. Louis, MO., catalogue.
MALCOLM X: MAN, IDEAL, ICON, organized by the Walker Art Center and traveling.
1993
PERSONAL NARRATIVES: WOMEN PHOTOGRAPHERS OF COLOR, Southeastern Center for Contemporary Art, Winston-Salem, N. C., catalogue.
THE SUBJECT OF RAPE, Whitney Museum of American Art Film and Video Gallery, New York, N.Y., catalogue.
BOOK ENDS AND ODD BOOKS, Walter Phillips Gallery, the Banff Centre for the Arts, Alberta, Canada.
1992
BRIDGES & BOUNDARIES: African Americans and American Jews, Installation at The Jewish Museum at The New York Historical Society, N.Y., and traveling catalogue.
1991
RECENT ACQUISITIONS: PRINTS AND DRAWINGS, Museum of Modern Art, New York, N.Y.
Awards
Publications
2005, It Wasn’t Little Rock (Visual Studies Workshop)
2004, Wrongly Bodied Two (Women’s Studio Workshop)
2000, Voyage(r): A Tourist Map to Japan ( Nexus Press)
1999, Pages from Collaborative Sketchbooks (with Nancy Chalker-Tennant; self published)
1996-97, Hiroshima Hopes and Dreams (self published)
1991, Martin and Malcolm, (Pyramid Atlantic}
1989, Reading Dick and Jane With Me (Visual Studies Workshop)
1988, What's Happening With Momma? (Women's Studio Workshop)
Selected Collections
Studied