THE MIRACLE OF TRANSFORMING HATE 

Photograph by Dan R. Talley

Transforming Hate: An Artist’s Book, was completed this year, eight years after it was started. We did not know if it was possible, but in March we pushed to get a few copies ready for an April PHOTO+CRAFT presentation. Entitled “Making and Meaning: Photobooks and the Social Fabric”, this Black Mountain College Museum and Arts Center panel with Alejandro Cartagena, was one of thirteen events organized by Warren Wilson College here in Asheville.

The month before going to press, however, the Transforming Hate book design elements changed to include color and some unusual papers. This gave the book much more depth, but when the printing estimate increased by $10,000.00, my heart sank. Where was that amount of money going to come from? It had taken me a whole year to raise $7,000.00!

When I turned to my supporters and asked for additional money, 5 people donated the extra $10,000.00 needed, to put the book on the press, within 5 days. That was truly a miracle!

Me and Susan Rhew at Blue Ridge Printing

Susan explained the “whys and wherefores” as she proofed each page.

In addition to these angels, 60 people made donations to the project through NYFA’s Fiscal Sponsorship Program in 2013. It was their support and belief in the project that helped me continue working on the book. To you guys, a big “Thank You.” Your names are listed inside the book.

Here is an excerpt from the book:

“Hate is a fence built to signify time and place.

When I was growing up

schools,

churches,

hospitals,

libraries,

restaurants,

and movie theaters

were off limits to me because of my race.”

Thank you! Thank you! Thank you!

Edition numbered signed copies of Transforming Hate: An Artist’s Book may be purchased for $50.00 from:
Vicky & Bill Stewart
Vamp & Tramp, Booksellers, LLC
E-mail : mail@vampandtramp.com 
Telephone : (205) 824-2300

Vamp & Tramp has placed the book in collections across the country.
Also available on Amazon.

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I hate to admit that I am essentially stuck in the 1980s when I saw my first artists’ books at Printed Matter below Canal Street in Manhattan. It was thought that artists’ books might become an inexpensive way to make art more accessible. Although most of my books don’t end up being inexpensive, my intention for my books is that they be produced inexpensively.

Each of my books has had its’ own process to which I have had to conform. As much as I try to control that process, the Transforming Hate book taught me, as no previous book had, that I am the book’s servant not its’ master. I ended up feeling like I had been recruited to come along for the ride.

Below begins sketches of the project’s beginning:

The post The Transforming Hate Artist Book Path Part#1 appeared first on Clarissa Sligh.

Making these two projects was a big shift for me. I had to learn new ways of working, which included quickly becoming more connected with the source materials and documents, creating participatory opportunities with my subjects and learning new mediums and processes as the work progressed. I had included some aspects of these things in my work previously but not with that speed and numbers of people. I am introverted and my work tends to evolve very slowly.  

To make a tax-deductible donation to the Transforming Hate project visit the link: Artspire Fundraising Page

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I want to get back to work making images and putting together narratives but since the end of 2012 everything has been focused on fundraising for the Transforming Hate Project – clarifying goals, making a budget, raising money via emails, letters, grant applications and lectures. And now I am working with a new designer on a new website.

Fundraising – To have to take time away from what I call “my work” to raise money to get “the work” produced and “out there” has been extremely hard for me. When I say “hard”, I don’t mean hard like what it was like when I worked on the stock options desk or did spread sheets for those guys in mergers and acquisitions or debugged binary and octal code at NASA. At least I earned a reliable income from those things. I mean hard like giving up the mental space to create something that came from within to reaching for something from somebody out there. I know it all comes from the universe, but it’s a different way of functioning.

Hearing from other artists has, however, been interesting. Most seem to think that a person who has “been at it” as long as I have should not have to “ask for help” in the form of “small to whatever a person is willing to give” donations, contributions, and financial support. Many suggest other organizations to approach. I like hearing from my colleagues. I hardly ever run into you guys since I moved here to Asheville, NC and Facebook is no substitute to seeing you face to face.

So I look forward to letting you know about what I am trying to do.

To make a tax-deductible donation visit the link: Artspire Fundraising Page

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